The blossoming bass producer from Florida takes root on the Bassrush catalog with a spellbinding four-track EP.
Floret Loret is ready to captivate with his forthcoming ‘Prosper’ EP, featuring four boundary-shattering bass offerings, due out on Bassrush Records.
Operating out of Florida, Floret Loret is the exhilarating project powered by the captivating mind of Fernando Loret de Mola. His ambitious approach to making future-forward bass music has allowed him to dig up a healthy plot of land for himself within the left-field lane. After establishing some street cred over the last couple of years, the blossoming artist recently sprouted up on the Bassrush imprint by way of an ethereal and painstakingly complex half-time creation called “Nu Bloom,” which found a home on the label’s second installment of their ‘Prophecy’ compilation. Now, he’s ready to thrive even further by making bold new strides on his aptly titled ‘Prosper’ EP.
“This set of songs are a step toward a new direction for my sound,” says Floret Loret. “Continuing to grow from the previous EPs, ‘Secluded Garden’ and ‘Tangled Roots’, I wanted to push these next tunes further and experiment more with my tools. This EP will take you on a bit crush-y, melodic, low-end bass-engulfing. Journey.”
The mental excursion he guides us along takes on a conceptual foundation built around the germination process of a plant, an appropriate play on a theme that extends into the namesake of his pseudonym. It kicks off with the aforementioned number, “Nu Bloom,” which acts as an introductory for anyone who might’ve slept on his Bassrush debut in August. He then veers into the glitchy grind on “Melted Lavender,” boasting twinkling keys that glimmer beneath the viscous ebb and flow of his molten lower frequencies. “Afterblooms” is a ripe follow-up, as it slowly shoots up from the broken ground he creates by weaving between intricate rhythmic patterns, perplexing arpeggiations, tantalizing bit crush phrases, and pensive flourishes keeping things interesting at every turn. Lastly, he closes out the affair with the transfixing finale, “Abscissions,” with the bitter-sweet decay of mystical melodies and moldering bass arrangements closing the loop on his cohesive four-track creation.
