Notaker Releases Single “Rainbow Eyes” Featuring Danyka Nadeau

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notaker rainbow eyes

Welcoming you into his newest creative universe, Notaker is proud to unveil “Rainbow Eyes” feat. Danyka Nadeau, out on May 12th.

The stunning vocal track will serve as the lead single to his highly-anticipated debut album Echoes of Eternity, due for release this summer.

“Over the past four years of constructing this album, I’ve asked myself time and time again what I want it to say about me and where I am as an artist. To me, this body of work is the next iteration of my project that establishes a limitless reality for my creative side to live in. Marcus Aurelius once said “what we do now echoes in eternity.” I believe that parallels what my intentions are with this album.” – Notaker

The first of thirteen tracks from his debut album to be shared with the world, “Rainbow Eyes” is the perfect representation of the style, quality, and vision that Notaker has consistently shown throughout his career. With Danyka Nadeau providing a scintillating vocal performance, Notaker does what he does best, tugging at the heartstrings and evoking deep emotions through a breathtaking display of sound design and originality. Best known for his midtempo-progressive style, Notaker’s newest fits the bill, taking listeners on an emotional ride and setting the stage for more music to come. Throughout the Echoes of Eternity, fans will experience Notaker’s signature sound in a plethora of new ways paired with creative foley, cinematic interludes, and messages from the “unknown.”

Notaker is the alias of St. Louis-based dance music producer David Nothaker. His distinct style of dance music, characterized both by his strong sound design and his devotion to infusing his compositions with heavy narrative elements, helps him create songs that wholly immerse fans into his unique universe.

His music has amassed over 100 million streams across digital streaming platforms and has been supported by the likes of Above & Beyond, deadmau5, and Seven Lions. DJ Mag touts Notaker as “among the best on the hyper-melodic end of the progressive spectrum” and “a progressive force to be reckoned with.

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