Accomplished producer Kill Them With Colour is back with something new.
Out on April 21st via Hurry Up Slowly, “Musa” is a vibe-setter, seemingly taken straight out of the tropical jungle dancefloors of Tulum, designed to make you move and groove.
“Musa” is the re-birth of the Kill Them With Colour project. These are the sounds and influences of my childhood that I’m excited to express to the world on what this project was truly meant to be for me. Elated for this journey to pick up steam with one of my all time favorite labels.
A purveyor of rhythm, Kill Them With Colour has shown a knack for creating quality tunes that get the crowd going. His new single “Musa” is a worthy addition to his arsenal of dancefloor destroyers, possessing the steady, hypnotizing elements necessary to transform any listener into a fan of the dark beats.
The French producer’s growth as an artist is palpable, proven by the dynamic range of his productions and ability over the years and his ability to crank out tunes that do not sound restricted to one specific era of electronic music. Rather, a defining quality of Kill Them With Colour music is that its quality holds firm through time. With “Musa,” the artist continues to solidify his claim as a mainstay in the house genre.
“French-born, DJ and producer, Wes, a.k.a. “Kill Them With Colour” started mixing music as a kid while growing up in Trinidad. He got swept up in the island’s music scene and it wasn’t long into his teenage years before he’d developed an insatiable thirst for crate digging — flipping through record after record picking out the dancefloor gems that would further ignite his passion for music. What started out as a fascination for music at a young age, soon grew into an interest in the recording process, which then led into production and remixing.
Today, Wes focuses on pushing an infectious fusion of percussion-laden Afro, Tribal and House. With influences such as Disclosure, Pablo Fierro, The Deepshakerz, Silvano Del Gado and DJ Chus, you’ll be hard-pressed to find a lack of diversity within his sets, which is comprised of both his own productions and others. His tracks go from the deeper end of Tribal and Afro through to the tougher grooves of House and Tech.”
