DJ Snake has officially entered his villain era with a brand-new track called “Reloaded”-and it’s pure chaos.
Unleashed during his massive “The Final Show” at Stade de France on May 10, the track lit up the stadium with a record-breaking Wall of Death. Snake didn’t just drop a song; he declared a full-scale sonic war.
“Reloaded” is a high-voltage collaboration with Space Laces and it’s unlike anything DJ Snake has done before. This thing is a dirty, heavy mashup of early 2000s hard rock, filthy rap, and turbo-charged rave energy. They didn’t just sample Marilyn Manson’s 2003 shock-rock classic “This is the New Sh*t”-they ripped it apart, rebuilt it, and turned it into something even more savage. The snarling vocals are now twisted into chant-like anthems, laid over pounding hard dance beats and gritty guitar riffs. The whole track feels like it was engineered for total mayhem.
The live debut in Paris wasn’t just hype-it was historical. As soon as the drop hit, the crowd exploded into a stadium-wide Wall of Death, setting what might be a record for electronic music. No one does chaos like DJ Snake, and this time, he really pushed the limits.
“Reloaded” is the second official single off Snake’s upcoming album Nomad, which is already shaping up to be one of the most talked-about electronic albums of the year. If this single is any indication, Nomad isn’t playing it safe. It’s going hard, loud, and weird-in the best way. Snake and Space Laces are clearly on a mission to wreck genres and blow up expectations.
The track is also a serious shift in Snake’s sound. Forget the radio-ready polish of “Taki Taki” or “Let Me Love You”-this is raw, aggressive, and unfiltered. It’s built for ravers who want something heavier, messier, and a little dangerous.
Whether you’re in it for the nostalgia of that classic Manson energy, the crushing drops, or just the madness of a stadium crowd going feral, “Reloaded” delivers. DJ Snake isn’t here to follow trends-he’s here to detonate them. With Nomad on the horizon and this track already tearing through speakers, it’s clear: he’s back, and he’s not holding back.
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