Acclaimed as one of the most iconic records in rock and roll history, Paul Simon’s GRAMMY-winning 1986 album Graceland has received a special 2018 reworking, with the likes of MK, Richy Ahmed, Paul Oakenfold, and Groove Armada all spinning their own unique interpretations across the release—the first time a classic album has been reimagined in its entirety.
Having sold over 16 million copies worldwide, Graceland became a legendary production with Paul Simon sampling diverse sounds and World Music styles, creating an eclectic mixture of pop, rock, African Zulu isicathamiya, and mbaqanga dance styles.
“To say it was an honour to mix one of Paul Simon’s tracks is an understatement,” said Richy Ahmed, referring to his thunderous remix of ‘The Boy In The Bubble.’ “It is one of my favourite tracks ever.”
“What do you say when someone asks you to remix a classic? Well normally, No!” laughs Andy of Groove Armada.
“It’s a rule we’ve managed to follow for 20 years. Until we got a call about remixing a track from Graceland. Here was an album…which had opened our ears to a new world of sound. We decided to break the rule because we could choose a tune. In [“You Can Call Me Al”] was a horn riff which we’d been dropping in our sets ever since we tried it at Fais Do-Do’s Ballroom in LA back in 1998 and it created an electric moment of dancefloor unity. So the remix wrote itself and our ace-in-the-pack Horn Drop is now public property.”
The project, consisting of 12 remixes from a range of artists representing a wide array of styles from Deep House, Afro House, DnB, Tech House, and many more, was overseen by producer and project curator Michael Gaiman, AKA The Duke of New York.
